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The heartbeat of Africa to be performed through contemporary dance at NACC

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Zab Maboungou, the founder of the dance company Nyata Nyata based in Montreal, is bringing her uniquely choreographed performance Mozongi to the stage at NACC. Photo courtesy of Nyata Nyata

The founder of the dance company Nyata Nyata, which is preparing to grace the stage at the Northern Arts and Cultural Centre (NACC) on April 6, says she started dancing before she even knew she was dancing because she grew up in Africa.

“Dancing is very much part of how we live there,” Zab Maboungou said of the influence music has on the way of life of its residents, specifically in the Congo-Brazzaville region.

Now an award-winning choreographer living in Montreal, Maboungou is sought out for her powerful stage performances that meld together the artistic power of rhythm, dance and music resulting in a powerful mind, body and spirit connection.

Maboungou said while studying philosophy in France, she continued to dance with the various performance groups that would arrive from Africa, thereby learning about the diversity of African dance and the many forms and rhythms it encompasses.

“I really saw the wealth of information that I could get from dancing, plus reflecting on what it means to be in this world,” she said. “And I haven’t stopped since, wondering what it is to be in this world.

“Using the nature of dance, when I arrived in Canada, I was already full of these ideas and moves and I created the company in 1987,” she said.

Gaining ancestral knowledge

Since then, Maboungou said she has complemented dance with a training program for dancers “to make sure that I was really able to transmit some of the knowledge and know-how coming from ancestral sources.”

“Because those dances are old, but at the same time they are very contemporary because they have fused with modernity. When you look at the jazz, blues, hip hop, disco… it all has to do with African rhythms.”

Having grown up in a household that was conscious of what it was like to fight for their culture due to colonization by the French, Maboungou said she was raised to know what history is, what it means and how we can understand our time on Earth.

“So for me, rhythm is about all of that.”

While she uses drums in her choreography, she said even if she uses cello or if there is silence, it still has to do with the drum.

“Because the drum is the heart of the human being, so once you have that knowledge of the heart, the pulse, the time, the space, flowing in you and outside of you, this is it — I’ve resolved my way of choreographing.”

Transcending space and time

During the upcoming Yellowknife performance entitled Mozongi, Maboungou said the audience can expect to see “space and time flowing out of bodies.”

“And there are two musicians who are very much part of the piece as the dancers themselves, and six dancers on stage. And it is important to understand that the musicians are not just accompanists but are part of what is going on.

“This is a piece I created and this is how I compose. I use this structure of call/answer in this piece,” she said of the repertoire.

Maboungou said the question/answer aspect is a very important feature of African music as well as in traditional or ancestral music such as First Nation music, which uses the method in exactly the same way.

The performance at NACC is one that is iconic, she said, adding that “it has really set a standard for the company.”

As well as choreographing the dance, Maboungou said she also composes the music using the rhythms of the drums.

“The idea of the music is that, very often, people have the wrong view of what drumming is about. They think that the drum tells the dancers what to do, but the fact is that the drum sets the time for conversation, where everybody is summoned to that conversation or to that dialogue.

“So the dancers bodies are rhythmic — the body moves a certain way. Then the drummers have the language to see how the body moves, so they can basically compose life happening.”

Unique inspiration

Leonora Moncada, the development manager for Nyata Nyata, said the performance is very unique from other forms of contemporary dance.

“We need a certain inspiration based on African lines of dancing and posture. So this is the difference,” Moncada said. “I think it will be very new in Yellowknife. Everyone will be very amazed because it is a specific approach.”